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Description
bass filter pedal EBS Bass IQ Pedal – Motor City GuitarEBS BassIQ Blue Series Analog Triple Envelope Filter Pedal More fun, enhanced control and reduced footprint. THE EBS BASSIQ BLUE LABEL ENVELOPE FILTER FEATURE ENHANCED VERSATILITY AND RESPONSIVENESS. THIS IS A FUN, INSPIRING, AND MUSICAL ANALOG ENVELOPE FILTER. The EBS BassIQ produces sounds ranging from classic auto wah effects to spaced out Funkadelic and synth bass sounds. It is for everyone looking for a fun, fat sounding, and responsive envelope
EBS BassIQ Blue Series Analog Triple Envelope Filter PedalMore fun, enhanced control and reduced footprint.
THE EBS BASSIQ ‘BLUE LABEL’ ENVELOPE FILTER FEATURE ENHANCED VERSATILITY AND RESPONSIVENESS. THIS IS A FUN, INSPIRING, AND MUSICAL ANALOG ENVELOPE FILTER.
The EBS BassIQ produces sounds ranging from classic auto-wah effects to spaced-out ”Funkadelic” and synth-bass sounds. It is for everyone looking for a fun, fat-sounding, and responsive envelope filter that reacts to how you play in a musical way.
Q, Threshold & Attack-controls
The Threshold and Attack control knobs set the sensitivity of how the pedal responds to your playing. The sensitivity is the key to create a great variety of sounds from synth-bass, to wah-effects or sub-bass. A separate control changes the Q value to create even more variation in the sound character. The higher the Q value, the sharper the effect. All sounds are depending on how you set the Q value in conjunction with Threshold and Attack.
Up, Up-R & Down-modes
In the Up mode, the pedal responds with a wah effect. Turn the Q knob all the way up to get distinct ‘quacky’ wah sounds (like the HiQ mode of the old BassIQ). Turn the Q knob back for a more mellow effect. To get a sub-bass sound, use the UP mode and turn Threshold all the way down and Attack all the way up. In the Down mode, you will achieve various types of synth bass sounds. The UP-R mode works like UP but also interacts with an internal control that changes the range of the envelope effect.
Pass filters
The three different types of pass filters, Full Range, Band Pass, and Low Pass, offer three variations of your sound at any time. Find a sound setting you like, and then try the different pass filter options, and each of them will change the character of the sound.
Internal controls
Trim pots are found inside to set the Gain output level of the pedal, a High Pass mix-in trim pot sets the level of high frequencies from the bypassed tone to mix in with the effect. A third trim pot decides the Range of the envelope effect in the pedals UP-R mode setting. Use these options carefully to tailor the pedal's response to match your personal needs perfectly. The EBS Bass IQ Blue Label replaces the previous Bass IQ model from now on. The new pedal also has a 12% reduced footprint.
Features:
• Preserve the low range
• Suitable for live and studio use
• Flexible envelope filter
• Q, Threshold & Attack-controls
• Up, UP-R and Down modes
• Low Pass, Band Pass & Full Range filters
• Internal controls for fine tuning
• True Bypass
Specs:
• Nominal Input Level: -10 dBv
• Input Impedance: 1.8M ohms
• Output Impedance: 100 ohms
• Dry Bandwidth +0/-2 dB: 20 - 20k Hz
• Range 100 - 2.5k Hz Q 0.7 - 15
• Mode Down/Up-Range/Up
• Type Low Pass, Band Pass, Full Range
• Threshold: -50 - +6 dBv
• Attack Time (80%): 50 ms - 2 s
• Dimensions: W x H x D 2.6” x 4.5” x 1.9” (67 x 115 x 48 mm)
• Weight: 315g (0.7 lb.)
• Type: Analog Effect, Relay type Switching
• Power Requirements: 9, 12 or 18 V DC, 55 mA max. Pedal shuts off below 6.0 V
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4.9 ★★★★★
Based on 18 reviews
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Product Reviews
★★★★★ 5
An Excellent Choice
Format: Paperback
Excellent introduction, notes and translation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 8, 2017
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
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Reviewed in the United States on November 5, 2015
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans'
, and then read Waterfield's translation of the Timaeus
.
Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with.
The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
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Reviewed in the United States on December 12, 2015
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield:
http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16
A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014